By Aurora Cuito, Cristina Montes
Antonio Sant?Elia (Como 1888-Monfalcone, 1916), a remarkable Italian futurist architect was once, specially after his early loss of life, a massive impact at the evolution of contemporary structure. He studied in Milan and Bologna. He undertook few commissions and people which have been accomplished have been both later demolished or remodeled. His innovative drawings for destiny towns have been displayed in 1914. He wrote theoretical essays: Messagio and Manifesto dell?architettura futurista. In his tasks the impression of the Vienna Secession, specifically that of Otto Wagner, may be discerned, in addition to the influence of the yank skyscraper. His most crucial works have been the Villa Elisi (1912), and his undertaking for the "New urban" in 1914 (la Citt? Nuova). He volunteered for the military within the First international conflict and died within the conflict of Monfalcone.
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Additional info for Antonio Sant' Elia (Archipockets) (Multilingual Edition)
It is hard to imagine as a lived space now all the mess of living has been removed. The sleeping porches in particular don’t easily suggest their use; neither do the outdoor ﬁreplaces, unlit in decades, retain anything more than a trace of their original spirit. But visitors don’t just come for the reﬁned aesthetic experience that remains, but for the human story that underpins it and which the house’s guardians, the mak Center (the la branch of the Österreichisches Museum für angewandte Kunst, Vienna), keeps in the public domain.
29 Lovell describes obsessiveness in the construction process too, with the architect constantly on site directing works. s. The Need to Know Neutra’s obsessiveness about Lovell extended far beyond architectural matters. Neutra (wrote Lovell) ‘made an intensive study of the social uses to which this house is to be put. 30 Such minute observation became standard practice for Neutra for the rest of his career, but this is the ﬁrst properly documented instance of it. The precise papers relating to the conversations between Lovell and Neutra were lost in the 1963 ﬁre at the vdl house (the acronym acknowledges Neutra’s early patron Case H.
It comprises three roughly interlocking L-shapes. In use it was meant to be, as the architect described in an important retrospective account, a ‘Co-operative Dwelling’. A shared house for two couples, in the ﬁrst instance it housed Schindler and his wife Pauline, and their friends Marian and Clyde Chace. The couples were on close terms. Schindler conceived the house after a camping trip, wishing to recover something of the informality and closeness to nature of that experience. So the house is barely enclosed, and the rooms, such as they are, abandon the Western convention of specialization for particular purposes.
Antonio Sant' Elia (Archipockets) (Multilingual Edition) by Aurora Cuito, Cristina Montes